Tsoi's last love. Favorite women of Viktor Tsoi and the country where he wanted to ask for political asylum

CHOI AND NATASHA

In addition to the invitation to the “big cinema,” at the end of 1986 another important event occurred in Tsoi’s life - in the process of preparing for filming at Mosfilm, Tsoi met Natalia Razlogova. Subsequently, in her story “Starting Point,” Maryana Tsoi will write that everything that happened between Victor and Natalia “was very serious.”

Yuri Kasparian: “Natasha is a society lady, well educated. She worked as a synchronized translator - she translated films from French. It was always interesting and fun to be with her. They met on the set of the film “Assa”. Victor fell in love... I saw that something was happening there, but I didn’t think it was possible to ask any questions.”

Natalia is the daughter of a prominent Bulgarian diplomat who lived half her life in France. She spent her childhood in Paris, her first language is French. Her brother is the most famous Russian film expert, director of the Institute of Cultural Studies Kirill Razlogov (due to the age difference, many mistake him for Natalia’s father), elder sister Elena is a Doctor of Philology, teacher at Moscow State University. Natalia herself is a linguist by training; she graduated from the philological department of Moscow University. At the time of meeting Victor, she was translating and lecturing about French cinema to members of the Union of Cinematographers. I came to the shooting of “Assa” at the invitation of director Sergei Solovyov to see “live” how films are made and to feel the atmosphere of filming. There she and Victor became close.

Georgy Guryanov: “Natasha worked on this film “Assa”. Charming Natasha... I arrived earlier, hung out there, met everyone, and only then Vitya arrived. He only participated in the final scene. And so, it means that I immediately recommended Natasha to him as a charming girl with whom he could communicate here in Yalta...”

Since Tsoi and Razlogova were people from different worlds, they had no other chances to cross paths. So by chance another woman appeared in the life of Viktor Tsoi. Many people wonder how Tsoi managed to conquer her, so strict in all respects. After all, it is very difficult to impress Natalia. They tried to look after her famous directors and TV presenters. To no avail. But Tsoi succeeded. It is not easy to explain why it was unusual for her, because unusualness follows from the context. Apparently, Tsoi was very different from her circle. He was absolutely independent in his judgment, uninfluenced and confident in his Tao, a man that was certainly fascinating.

Maryana Tsoi: “He came to me and said: “You know, I fell in love...” He fell in love with another woman - Natasha Razlogova, the sister of the Moscow film critic Kirill Razlogova, and went to live with her... Thank God, he had the courage not to hide his connection with me from me. Natasha and admit everything right away. I know what love is, I didn’t have to prove anything. Now I understand why this happened. He met me, one might say, quite young. I became his first love, but he still did not know what real passion was. Besides, Natasha is my complete opposite. She is a quiet woman who always said sensible things and made the right decisions. Perhaps it was somehow easier for him with her. “Okay,” I say, “then pack your suitcase.” In a word, we parted quietly..."

Maryana understood everything and did not create scandals for either Tsoi or Natasha. Neither Victor nor Maryana wanted to injure the child, so they were in no hurry to officially divorce...

Victor went to Latvia, to the Tukumsky district, where Natalia was vacationing at that moment.

Tukums is a quiet provincial town an hour and a half away from Riga by train. Far behind are the neat dacha houses of Jurmala. Plienciems (Enguri parish, Tukums district) is a fishing village, famous as a resort in old times. At the beginning of the last century, sailboats were built here. Plienciems differs from other seaside villages in that it is protected from sea winds by a huge dune. This was not the first time Choi was in Plienciems that year.

Biruta Luge, the owner of the Zeltini house where Tsoi lived, met Natalia Razlogova a long time ago, even when she was in her first marriage. Natalia came to Zeltini for the first time with her one-year-old son. And since 1980, she spent every summer there, in the same rooms, leaving only two weeks for the Moscow Film Festival, which took place in odd-numbered years.

When a silent, dark-haired guy named Viktor Tsoi appeared in Plienciems in the middle of the night in June 1987, looking for Natalia, Biruta took note of the changes in the personal life of her regular client. She learned much later that this guy was a musician, and a famous one at that.

And Valentina Vasilievna was greatly upset by her son’s departure from the family.

Valentina Vasilievna Tsoi: “Because of Natasha Razlogova, my son and I quarreled. Not because I didn't like her. Quite the opposite: Natasha a beautiful woman, very beautiful, looks like a young Gina Lollobrigida. I wasn't surprised that Victor fell in love with her. But I didn’t like the way he built his relationship with Maryana and his son Alexander...”

As already mentioned, there was never complete understanding between Victor and his mother. Tsoi, who at first glance gave the impression of a soft, compromising and calm person, was in fact independent and freedom-loving. It was impossible to influence him. Therefore, Valentina Vasilievna, being a very strict person herself, tried to speak to her son in a half-whisper. But they didn’t always manage not to quarrel...

When Victor was in Alma-Ata, Valentina Vasilievna, taking advantage of the opportunity, gave him a coat, which he asked her to repair, and put a note in her pocket, where she made a remark to Victor about Natasha, Maryana and Sasha. After this, the son’s communication with his mother stopped for a whole year. Subsequently, Valentina Vasilievna admitted that she “had the wrong conversation with her son then”...

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From the book Fate in Russian author Matveev Evgeniy Semenovich

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TSOI AND NATASHA In addition to the invitation to the “big cinema” at the end of 1986, another important event occurred in Tsoi’s life - in the process of preparing for filming at Mosfilm, Tsoi met Natalia Razlogova. Subsequently, in her story “Starting Point” Maryana Tsoi will write that

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At the end of December 1986, Viktor Tsoi met Natalia Razlogova on the set of “Assa,” and by the summer of 1987 he actually broke off relations with his wife Maryana. But this is not the subject of our conversation. Let's talk about Natalia Razlogova and the opinions that people have regarding her “silently cold” attitude towards Tsoi today... Quite often on the Internet, on various film fan forums, you can find posts from people expressing some kind of hostility as to the fact of Tsoi’s departure for Razlogova , and to the personality of Natalia herself. Particularly interesting are the opinions regarding the fact that Tsoi and Razlogova are incredibly different and there is a huge gap between them, which separated them back then, in 1987, and now, in 2011, has turned into almost a black hole.

Some fans justify Razlogova’s current “coldness” towards Tsoi by the passage of twenty years since Victor’s death, Natalia’s marriage, or her arrogant character and snobbery. Others claim that “she was like that even then,” she treated Victor’s work rather coolly, not considering him a talented person, but just an ordinary man who knew how to play music and present himself. And her current (extremely rare) appearances on TV only confirm this statement.

Natalia's current husband, Evgeny Dodolev, once in one of the programs, voiced her words about the fact that “women are creatures from outer space, they are like mycelium.” These words allowed many fans to draw the logical conclusion that, in Razlogova’s opinion, it was she who became the very “mycelium picker” from which Tsoi, in fact, grew up. Although in this program there was no mention of Tsoi. When Dodolev uttered the phrase that he calls himself “a receptacle for sin, unlike his father,” KINO fans immediately drew a parallel: Razlogova - Dodolev and concluded that they are, after all, a fairly compatible couple, with the same mood, thoughts, general manner of speaking, general arguments and life affirmations, from which, despite all their ostentatious grooming and success, a certain stench emanates. As a result of this, accusations immediately began to pour in regarding the creation of extremely unpleasant sensations at the mere mention of the name Razlogova in connection with Tsoi, accusations of extreme arrogance, a condescending tone when expressing one’s point of view and caustic sarcasm packaged, according to fans, in highly intellectual nonsense, and others like that "charms".
Not long ago, the opinion was expressed that “working as a journalist and moving in media circles has turned Razlogova into some kind of absolutely insensitive robot with very strange beliefs. And all her revealing media activities are just a reflection of her inner robotic-mechanized world, a reflection of her own complexes and fears - the warmth of human emotions is not felt in her, only cold calculation, systematic existence.”
It is precisely for the lack of “warm human emotions”, all these bourgeois pink snot and ostentatious tears (which, by the way, never existed in Tsoi), Razlogova became (or always was) for many, in fact, a “fallen woman” and her choice as the life partner of journalist Dodolev (another “minion of Satan”) is very indicative...
This is the reason for the birth of the gap between Razlogova and Tsoi. Almost according to the unanimous opinion of KINO fans, Viktor Tsoi was from a completely different world, from a different reality, with a different life perception and with different values, while possessing incredibly strong energy, a radiant smile and a supply of inexhaustible positivity.
There is a version that, perhaps, at first such a difference between him and Razlogova attracted him, at the beginning it was interesting to him, as an acquaintance with another, alien, unfamiliar world to him, but over time it undoubtedly began to burden him. People put forward the opinion that at first Tsoi perceived everything that happened between him and Razlogova as an equal relationship, while Razlogova, apparently, considered herself a teacher who opens a new world to the student... From numerous statements on this matter it is clear that, after all, on Tsoi Communication and relations with Razlogova were strongly reflected, he began to have much more openly sarcastic and arrogant notes in his voice - this can be seen in interviews in recent years. Especially, according to those who put forward such statements, this is manifested in the one that Tsoi gave on the ship "Chaliapin".
The gap between Tsoi and Razlogova widened even more after tragic death Victor and Natalia's fairly soon marriage. If we also include Razlogova’s reluctance, even after 20 years from the date of Tsoi’s death, to make public the archive of drafts and other documentary materials relating to Victor, then in general the gap is huge. So always open to fans, positive and subtle Viktor Tsoi and so greedy, “cold”, who doesn’t love him at all, Razlogova, who hasn’t really published a single photo in twenty years. Well, they're not a couple at all! There is simply an abyss between them!!!
In a word, we have shown, in our opinion, quite clearly the picture of the reasons for the open hostility towards Natalia Razlogova.
Let us now try to show the author’s attitude to the above. Let us note that, in any case, everyone is free to think as they see fit, as their “heart tells them.” This is, so to speak, in case of grievances and any disputes on this topic. So..
As for the aforementioned gap between Razlogova and Tsoi, here, based on the words and memories of Tsoi’s close acquaintances, we can confidently say that there really was a gap. But not between Tsoi and Razlogova, but between the sophisticated Tsoi and his wife Maryana, who, according to numerous statements, was sometimes quite rude. We apologize, but this is really so, and this fact is known to many of Tsoi’s friends and fans, but for some reason it is studiously not noticed. As you know, many of Victor’s acquaintances were openly happy when Tsoi left his wife and went to Razlogova, believing that he had finally found his happiness. It’s just that for some reason few people remember this and take it into account.

As for Razlogova’s frankly cool attitude towards Tsoi, everything is also “missing the mark.” Only an extremely ignorant person can claim that Natalia had a cool attitude towards Tsoi and did not consider him a talented person. In each of her truly rare performances, Razlogova positions Tsoi as an undoubted talent, truly bright star on the gray horizon of Soviet rock music, and always pulls back those who, with false tales, try to level the creativity and personality of Tsoi himself to the level of an ordinary everyday thing. To be convinced of this, just look at any program in which Natalia talks about Tsoi, for example, “Cult of Cinema.” Those who do not believe Razlogova’s words should listen to the words of other, independent witnesses, for example, Marina Smirnova, Rashid Nugmanov, Yuri Kasparyan and other people who were truly close to both Tsoi and Razlogova.
As for the “coldness” towards Tsoi in Razlogova’s comments today, this fact can be explained quite easily. Like Tsoi once did, Razlogova prefers not to show her true feelings in public. Moreover, this applies not only to Tsoi specifically. The same thing always happens in relation to Dodolev and other people close to her.
So we can safely conclude that everything related to the personalities of Razlogova and Dodolev, and was given above - in fact, is nothing more than ordinary personal hostility. No more. To people who know them, they do not seem at all as disgusting as they are painted. And to those who are not familiar, of course, they seem completely alien and unpleasant. To love, you need to know a person, and as for Razlogova, she is an extremely private person and few people allow herself to be known. Here we can only say that wasting time on hostility and hatred is completely unreasonable. It’s better to spend it on something else... As for the aplomb, snobbery, arrogance and other “charms” of which Razlogova and Dodolev are accused, then there is absolutely no need to confuse the behavior of a professional journalist in modern media and the personality itself as a person. Those who know Razlogova personally will never say that she is “cold.” Quite the contrary - those people. who “fell into her world” will all unanimously say that in life Natalia is an extremely smiling, positive and pleasant person. It’s just that KINO fans again (as in the case of Tsoi) made completely wrong conclusions and confused the image with a real person.

Of course, as for complexes and fears, Razlogova (a professional journalist), and even more so the even more professional Dodolev, has no trace of them. In general, we can confidently say that all such opinions are complete nonsense and nothing more than a purely personal misperception of their personalities. By the way, this also applies to Tsoi. Why do people even think that he was sweet, positive and confident in this for 20 years? Which of today's fans throwing mud at Razlogova knew him personally as a friend? How about your loved one? No one knew. All such judgments are made about Victor based on the surviving photographs and videos that are provided to us by the media, having previously been cut into the necessary pieces. In contrast to statements about the sweet and positive Tsoi, one can, for example, cite the words of many of Victor’s friends and acquaintances who claim today that “Tsoi was a monstrous greedy snob who could not stand ordinary people and did not let them into my world.” And they are ready to confirm this... If we add to this the stories of people who attended KINO concerts regarding “tour combing” and “stingy touring performers”, then the situation turns out to be completely ambiguous, as fans see it.
So - everyone has their own Choi. Everyone perceives it differently. And of course, everyone is free to show their attitude towards him in their own way. Or don't show it at all. So why should Razlogova show someone her real attitude towards him, reveal her soul to lifeless flashes of television cameras? By and large, how she treated him and what she thought of him as a talent is absolutely no one’s business. Ask KINO fans with many years of experience to tell you about anything related to their personal relationship with Tsoi, his personality and his death - and you will hear little in response. It's too personal to be shown in front of a crowd. It's strange that few people understand this. And this once again simply proves the limitations of people and the narrowness of their thinking. She doesn’t tell - it means she’s bad, she speaks coldly - it means she never loved. And in general, everything so monstrous is just... Quite funny, isn’t it?
As for the interview between Tsoi and Razlogova on Chaliapin, as far as we know, this was generally an internal conversation that Sholokhov quietly “leaked” to TV, because it should not have been broadcast at all. Alas, people are simply not familiar with the history of receiving of this interview. It all goes from here. Tsoi’s sarcasm, which he picked up from Razlogova... It’s simply ridiculous... But as for Razlogova’s attitude towards Tsoi as a student, this is generally just nonsense. No, without a doubt, Natalia discovered some new facets of Tsoi, but why do people belittle the personality of Tsoi himself so much and believe that he was such a driven fool who needed to be taught something and led somewhere?
Tsoi was very smart person, and he didn’t need to be taught anything. And in his relationship with Razlogova, he behaved like a master, like the head of a family. It’s just that no one wants to see or hear it, and there are no words to understand it at all. But there have been a lot of references to this today. It is enough just to delve into the information provided by his close friends and draw the right conclusions...
Now let's talk about Razlogova's reluctance to publish any of the archival materials concerning Tsoi.
It is known that Natalia keeps a large number of Victor's drafts, photographs and video materials related to the musical activities of KINO. Of course, all this has great cultural and material value and today numerous fans“KINO” demands that Razlogova publish all these materials, motivating their demands by the fact that Natalia does not have sole right to the archive, that “everything that has been preserved from Tsoi is the property of our culture. Our universal treasure. Like Pushkin, Pasternak, Tsvetaeva or Vysotsky. Whether she wants it or not. She owes it to history and country. She is not his owner.. People like Pushkin, Pasternak or Vysotsky have no owners. And it can’t be.”
There are opinions that “Natalia does not post the archive because Tsoi did not want to make her drafts public. That is, she fulfills his will. But HE has been dead for 21 years. Any poet, while alive, does not publish drafts! This is interesting after the death of a genius, it is interesting for descendants. Important for those who want to understand it. The will of a living person is one question. But the memory of the deceased is completely different. There is no doubt that many would probably not even come to him, to a living person, for an autograph. The simple fact that it exists would be enough for them. Alive, healthy and creating."

All this, of course, is true, everyone is rushing and pushing Razlogova to quickly publish all the materials, but at the same time they completely do not take into account the moral and ethical side of the matter. Natalia on the “Yahha” website said that over the past 20 years she had never really looked at what had been preserved.. Immediately there were screams - “why”?? It's amazing, but why can't anyone understand it? Forgive me, but even from a purely human perspective, when a loved one dies, you understand that it’s not so easy to take out his things, look at them, rummage through everything and generally remember... And people like this, who don’t even understand this, accuse Razlogova of being a robot ? They reason like robots who have no feelings. Instead of thanking her for the fact that for more than 20 years she carefully preserved materials for fans, she is thrown mud at her on numerous forums and websites, accused of greed and unwillingness to share. But excuse me, but did anyone ask the question - does she owe someone something??? Maybe it’s not Natalia, but the fans need to reconsider their judgments and at least try to understand something?
Of course, Natalia, despite all the dirt directed at her, has already pleased her fans with several rare photos over the past year, and in the future she promises to post the entire archive. Well, let's wait and hope for it... -

Despite the fact that more than 27 years have passed since the death of Viktor Tsoi, everything connected with him is of great interest to fans of his work. This also applies to his relationship with Natalya Razlogova, whose biography is presented in this article.

Father's family

Natalia Razlogova was born in 1956 in the capital of Bulgaria, Sofia. Her paternal grandfather was the famous Bulgarian revolutionary Nikola Razlogov. He repeatedly took part in uprisings against Ottoman Empire and the military regimes ruling Bulgaria. For some time he lived in exile with his family in the Soviet Union. After the end of World War II, Razlogov served as his country's ambassador to Austria. His son, Emil Nikolaevich Razlogov (Natalia's father), also became a diplomat and worked in France for many years.

Mother's family

Natalya Razlogova’s mother was the daughter of Alexandra Blagoveshchenskaya and Alexander Artemyevich Bekzadyan, an Armenian by nationality. In 1911, her father graduated from the University of Zurich, and in 192 he became the first People's Commissar for Foreign Affairs of Soviet Armenia. In 1930, Bekzadyan was appointed plenipotentiary representative of the USSR in Norway. In this post he replaced the famous Alexandra Kollontai. Then Alexander Artemyevich was plenipotentiary Soviet Union in Hungary. In 1937, the diplomat was recalled to his homeland, after which he was accused of espionage and executed by execution. Supreme Court THE USSR. A. Bekzadyan was rehabilitated in 1956.

Youth

Natalya Razlogova spent her childhood in Bulgaria. In 1960, she, along with her parents and brother Kirill, moved to Paris, where her father was sent to diplomatic work.

In the mid-70s, Natalya Razlogova came to the USSR and entered the Faculty of Philology of Moscow State University (department of structural and applied linguistics). According to the recollections of fellow students, the girl was distinguished by high intelligence, erudition and a certain bohemianism, which was quite natural, given her origin.

In 1987, our heroine was invited to work as an assistant to the second director V. Trakhtenberg on the set of the famous film “Assa” by Sergei Solovyov. According to the director's idea, in the epilogue of the film, the black friend of the main character Bananana brings a new singer to the restaurant - Viktor Tsoi, who plays himself. The star goes on stage and sings his famous hit “Change!”

According to Razlogova’s memoirs, she immediately liked Tsoi for her character and inner independence. Despite the age difference, Natalya immediately won the heart of the 25-year-old musician, although he was married to Maryana, who was infinitely devoted to him, and had a small son. Without hesitation, he left the family, but still did not formalize the divorce. The separation from his wife passed without scandals, but his parents received the news of Victor’s choice with hostility. They refused to meet their son’s new chosen one and saw her for the first time only at his funeral.

Tragedy

Natalya Razlogova and Viktor Tsoi (see photo of this couple above) loved to vacation in Latvia. On August 15, 1990, the musician was returning from fishing. He had little driving experience and had worked a lot in the months leading up to his death. At 12:28 on the Sloka-Talsi highway (Latvia), Tsoi had a terrible accident, colliding with a bus traveling in the oncoming lane, and died on the spot.

Natalya had a hard time experiencing the death of her loved one. Being an intelligent woman, she accepted with dignity the fact that Tsoi’s widow would be considered his ex-wife Maryana, with whom he did not divorce, although there were rumors that the musician still managed to propose to Razlogova.

Second marriage

In November 1991, Natalya Razlogova (photos of her can rarely be seen in the press) married famous journalist Evgenia Dodolev. who at that time already worked at the VID television company. After some time, the couple left for the USA. The couple has two children.

"Tsoi - "Kino"

In 2012, on the day of the cult musician’s 50th birthday, the television premiere of a documentary film created by Natalya Razlogova took place. It’s called “Tsoi - “Cinema.” The impetus for starting work was an accidental discovery.

One day, while sorting out old things, Natalya Razlogova found a cassette with the song “Ataman”, on which Tsoi’s voice sounded, singing it with a guitar. Razlogova recalled that the singer rejected her because of her similarity with the work of the popular group “Alice.”

To film the film, along with the tape, Razlogova went to St. Petersburg, where she met the son of Viktor Tsoi, Alexander, who had his own club “Dada” there. Then Natalya conducted several interviews with the musicians of the Kino group, and for the finale of the film, she and Igor Vdovin recorded the song “Ataman” in the studio.

Natalya Razlogova in recent years

Over the past decade, Natalya has worked on Channel One. She avoided communicating with the press and did not give any interviews. At the same time, the woman did not refuse to meet with fans of Viktor Tsoi and sincerely answered their questions.

In 2010, the film “Needle Remix” was released. According to its author, Rashid Nugmanov, Razlogova helped him with advice at all stages of work on this project.

As for memoirs, Natalya Emilievna Razlogova is not going to write them, although she always clarified the details and also corrected inaccuracies and errors in biographical publications about Tsoi regarding the period of their life together.

Some projects with the participation of Razlogova

Natalya Emilievna played in several films:

“Spruce Submarine: Viktor Tsoi. Children of minutes";
"Life is like a movie";
"Sunny days".

As already mentioned, she acted as a screenwriter for the film “Tsoi - “Cinema”. In addition, Natalya published a lot, including under pseudonyms. Among her most interesting works of this kind are:

review of the film "Needle";
articles “Musical Truth” and “A Star Called Kino”.

Numerous interviews with Razlogova were included in documentary and feature television projects “Muzoboz”, “Cult of Cinema”, a French film about Viktor Tsoi, etc.

Brother

Kirill Razlogov was born in 1946 in Moscow, and at the time of Natalya’s birth he was already 10 years old. Together with his parents and sisters, Natalya and Elena, he spent several years in France. In 1965, he entered Moscow State University, the Faculty of History, from which he successfully graduated 5 years later. On this moment is the president of the Russian Guild of Film Scholars and Film Critics.

Sister

Elena Emilievna Razlogova is the eldest child in the family. Currently lives in the capital. He is a candidate of philological sciences and a leading researcher at the laboratory of the Scientific Research Center of Moscow State University.

Now you know who Natalya Razlogova is. Now she permanently lives abroad and does not strive for publicity. Nevertheless, quite a few Tsoi fans will forever remember her as the last love of their idol.

The rock legend's first love was a 16-year-old singer

The most popular three-letter word in the USSR, which was written on fences in the late 80s, was the word “TSOY”. And after the tragic death of a rock musician in a car accident in 1990, three more letters were added to them - “alive”. So stunning was the popularity of this strange guy with slanted eyes, who sang songs that were incomprehensible and even frightening from the point of view of the older generation of Soviet people. His hit “We are waiting for change” became one of the symbols of the era. We talk about the personal life of the idol, who would have turned 55 on June 21, with one of the most authoritative experts in the Kino group » Vitaly KALGIN.

- How did it happen that you suddenly became the country’s chief food scientist?

At first I just listened to Kino music, then I became interested in life, began looking for living witnesses, met with them, and collected a lot of material. And then they offered me to systematize and publish all this, and it turned out to be several books. By the way, I’m confused by the wording “the country’s chief food scientist” - this work could have been done by any interested person, I’m just the one who found the time.

Victor wore a mustache...

- You, like no one else, know that the girls went crazy about him, sometimes in the literal sense of the word.

At one time I was given a whole bag of fan letters to Victor. In those days there were no social networks and Email: messages were written with a pen on paper, sealed in an envelope, and then you still had to find a mailbox. The record was set by two fans - from Krasnoyarsk and Kharkov. They sent daily messages from about January 1990 almost until his death in August 1990. Many imagined themselves to be his wives. For example, a girl from the Dnepropetrovsk region wrote Tsoi, like to my husband, who just went on a business trip: “Come back soon! - she urged. “The corn in our field is all overgrown with weeds, we really need your strong manly hands.”

...when I met Olya from Stavropol (right)

- However, I haven’t heard anything about sex orgies on Kino tours, something that almost all rockers are guilty of. Or was it?

Not everyone needs to constantly assert themselves, fertilizing everything in their path. Tsoi, apparently, knew exactly what he wanted, so he got married quite early. Maryana was his friend, shared his hobbies, believed in his talent and helped him in his work. Known for her catchphrase: “The Kino group is me!” At first, when the guys didn’t even have an administrator, it was she who took care of the tours, represented them in creative organizations, and made the first publication about Tsoi in the official Soviet press. By the way, its author was a journalist Evgeniy Dodolev, future husband Natalia Razlogova- the same one who was Tsoi’s muse and beloved woman in last years his life.

Natalia RAZLOGOVA, last love TsOYA...

Lipstick like a fountain pen

- How did our hero meet Maryana?

It was March 5, 1982, at one of the parties in the apartment of their common friend. Witnesses of that meeting say that Tsoi was lying on the floor in a white shirt, with his arms outstretched, and for some reason this offended Maryana. She said: “Wow, what a puppy!” And she wrote him her phone number in lipstick. Some say it's right on the forehead. Then Victor called her, and in February 1984 they officially got married. Moreover, both Tsoi’s parents and Maryana’s parents were not happy about this. Victor’s dad and mom didn’t like Maryana’s vulgar, as it seemed to them, manner of communication. And her relatives were worried that their daughter had gotten involved with “some Korean.” My mother spoke about this very frankly. Maryany - Inna Nikolaevna Golubeva.

...in 1991 she married Evgeniy DODOLEV. There was no wedding so as not to attract unnecessary attention. They spent their honeymoon in the USA, away from the rock star's crazy fans.

From the memoirs of Golubeva, Viktor Tsoi’s mother-in-law:

“He greeted me very politely, bowed his head, but I couldn’t see this formation, such a dark formation that had appeared in the room. I literally felt sick.<…>A floor-length coat pulled from the trash heap. The hair is long to the shoulders, bangs - the eyes are almost invisible, I see that there is something narrow-eyed.”

But after a while, he says Kalgin, - she became very close to Victor. When the marriage broke up, and Maryana was already living with a musician Alexander Aksenov, better known as Ricochet, Tsoi talked about their common son with his grandmother, who loved her grandson very much and paid a lot of attention to him. It was that rare case when the mother-in-law became closer than birth mother, with whom Victor never had a trusting relationship.

- Such Perfect marriage- and suddenly fell apart. Is the homewrecker to blame?

No, not suddenly. It’s just that Victor and Maryana were very young when they met, and at that age people change quickly. Maryana was a very strong-willed, dominant woman, and Tsoi could not stand the pressure. Apparently he tried to cope with this trait of hers, but could not. One could also understand her - she was a good artist. But she didn’t develop her abilities - the producer won. But Tsoi never needed a producer. He needed people who understood and supported him, and did not try to control him. At the time of Victor’s meeting with Natalia Razlogova, their marriage was already a formality. But no one needed a divorce, and besides, the child was growing up.

COMMENT website: Vitaly Kalgin, apparently sparing someone's feelings, does not tell everything. Maryana, according to the recollections of those around her, began to drink heavily. Tsoi himself drank quite moderately and did not tolerate drugs at all. I smoked a lot, but only cigarettes, not “dope.” Perhaps it was the excess of alcohol in Maryana’s life that provoked her cancer. This talented woman passed away in 2005, she was only 46 years old. She died hard. According to the recollections of her mother, Inna Nikolaevna, she confessed before her death and forgave everyone in a conversation with the priest. Except for Victor.

With his wife Maryana (1984)

"Assa" rekindled love

Some crazy fans still believe that Razlogova “seduced the star” and then “betrayed Vitya” by marrying someone else shortly after his death.

I have always been interested only in facts, not interpretations. They met Natalia at Mosfilm in December 1986, when preparations were underway for the filming of Assa, the film that made him a national star. She lectured on cinema and translated films from French. And in the group Sergei Solovyov It turned out because I decided to watch how a “live” movie is made. This meeting was accidental - they are from different worlds. Natalia was five years older and was more than skeptical about rock music. Moreover, she was married and had a growing son.

Sergei Bugaev, aka Africa, who played Bananan in “Assa,” claimed that a romance broke out between them while filming in Yalta. They, they say, were already there walking along the beach and “wandering through the bushes.”

Africa is a famous dreamer. In that winter Yalta it was snowing; of course, no one walked either on the beach or in the bushes. It is difficult to say exactly when the romance began; Tsoi and Natalia were on first name terms for a long time. After Yalta, they dispersed to different cities and finally came together only in June 1987, when Victor came to her in the Baltic village without warning. For a long time I could not find the right house and knocked on the window in the dead of night. Since then they have not parted. ( Natalia had already separated from her husband, scientist Lisovsky, by that time; he later emigrated.- M.P.) It’s interesting that, unlike Razlogova, her seven-year-old son Zhenya knew and loved the Kino group. It was during that period of time that he listened to a cassette tape, where “Aquarium” was recorded on one side, and Tsoi on the other. You can imagine how the boy felt when he saw his idol in front of him.

Sasha, son of TsOYA, is also successful with the ladies

FOR REFERENCE: It was to Natalia and Zhenya that Victor returned after fishing on that fateful day of August 15, 1990. By official version, he fell asleep at the wheel from overwork. At 12.28, his dark blue Moskvich-2141 collided with an Ikarus-280 regular bus at a speed of at least 130 km/h. The driver was not injured; 28-year-old Tsoi died on the spot.

- After the tragedy, Maryana and Natalia had no conflicts? Regarding inheritance for example?

Of course not. Both always behaved very dignified. Tsoi did not hide his new relationship from Maryana, he was always extremely honest. And he introduced them when Natalia was in St. Petersburg. Razlogova never claimed the status of an official widow, much less Victor’s property. By the way, the first person she called when she learned about the misfortune was Maryana. And she immediately rushed to Latvia, taking upon herself all the hassle of paperwork and funeral arrangements.

In his youth, the musician painted posters with portraits of Jim MORRISON, The Beatles, and Jimi HENDRIX and sold them. Now he himself has been painted on walls for 27 years and messages are written to Victor on Old Arbat. Photo by Vladimir VELENGURIN/Komsomolskaya Pravda

Got closer during a fight

Many fans were outraged when Razlogova, shortly after Tsoi’s death, married journalist Yevgeny Dodolev. Some girls, Victor's fans, even cried when they learned about such a “betrayal.”

Apparently, fans believed that Natalia should have buried herself alive, like the widow of an Indian rajah. Why on earth? She was not yet 35 years old... Moreover, all decency was observed - the wedding took place a year later.

- Did they meet Evgeniy before or after Tsoi’s death?

He is with her before, and she is with him after...

- How is that?!

In the winter of 1987, in the apartment of Kostya Kinchev there was a party where Dodolev was there. Tsoi arrived with Natalia, who did not know anyone and, apparently, did not want to know. She almost immediately went into the next room, where she immediately fell asleep on the sofa. Choi woke her up only when he was about to leave. Everyone remembered the bright girl, including Dodolev, but she couldn’t see anyone. Natalia and Evgeniy came face to face after Victor’s death: at the presentation of the “Black Album” he introduced them to each other Yuri Aizenshpis- Dodolev was the host of the event.

After the official part there was a drinking party where they got into a fight Yuri Shevchuk And Nikolay Rastorguev. The latter raised a toast in memory of Tsoi, and Shevchuk began shouting that all sorts of phonographists there do not even have the right to pronounce holy names out loud. A French journalist watched all this with fear. Francois Moreau, who came with Dodolev. “Don’t be afraid,” Dodolev told him. - This is traditional Russian fun. Here, take the knife and you will cover my back.” I joked like that. And he started screaming that he wanted to immediately get out of this crazy country. But only Razlogova, who knew perfectly well, understood him French. And it made her smile. Which gave Dodolev a reason to start a conversation with her. This is where it all started.

His time is not over yet...

Romance imaginary and real

So, apart from these two women, there was no one else in Victor’s life? But what about Natalya Naumenko, the wife of the leader of the Zoo group Mike Naumenko, who in Zhitinsky’s book spoke about her affair with young Tsoi? The infamous head of the Gogol Center, Kirill Serebrennikov, even planned to direct a film based on this plot!

There could be no romance by definition. All their contacts were visible. In addition, Mike was Tsoi’s friend and mentor, in which case he would have been the first to know about what happened. Witnesses of that time are unanimous: this whole story is fiction Zhitinsky, who wanted to decorate his book with a romantic plot. Tsoi was a whole person, it is difficult to make a truthful biopic about him - no dramas, quarrels, tossing, painful partings. Everything is simple and clear, which is why there is still no movie about “Kino”.

Sorry, Vitaly, but it’s hard to believe that such a bright and charismatic guy had only two women in his life. Well, this can't be!

After Maryana, as far as I know, there was only Natalia. But before... Tsoi studied at the Leningrad school at restoration workshops - SPTU No. 61, and at the same time was a guitarist in the local rock band "Rakurs", which played at discos. Long-haired boys with guitars were popular with women. And then Tsoi had a real, and not some kind of romance invented for a movie script. The girl's name was Olga, she was 16 years old, she came from Stavropol, and they met at one of the New Year's concerts of "Rakurs" at the turn of 79 and 80. It turned out that Olya was studying at the same vocational school, only a year younger. After the concerts, he and Victor wandered the streets of St. Petersburg at night until the morning, talking and kissing. Most likely, the song “Eighth-Grader” with the words: “On a deserted street, you and I are going somewhere, and I smoke, and you eat candy” - is dedicated specifically to Olya. Then Olga, alas, was expelled for poor academic performance. Who knows, maybe sleepless walks with Tsoi played a certain fatal role in this. In general, she returned home, her son was born. She named him Victor. Whether this child was Tsoi’s or not, no one knows for sure.

Natalya Naumenko – ex-wife, band musician. She was a direct witness to the heyday of Russian rock and roll and rock. In their communal apartment on Borovaya, musicians gathered who later became legends: Alexey Rybin and others. In 2018, the movie “Summer” will be released, telling about little known facts from the life of Viktor Tsoi, Mike Naumenko and Natalia.

Childhood and youth

Natalya Vasilievna Naumenko was born on January 21, 1960 in Leningrad. Her maiden name is Rossovskaya.

Natalya is a non-public person; there are a lot of gaps in her biography. All her interviews are dedicated to the famous ex-husband, and she prefers to remain silent about her life before Mike. Nothing is known about her childhood, parents and education.

Career

When Natasha met Mike and they decided to get married, she had to go to Teploenergo, since the organization’s employees were given rooms. Everything was new for the petite girl. Unknown mechanisms of unimaginable size in the boiler room instilled fear that she had to overcome. She worked as a gas boiler operator, simply a fireman.

In 1997, Alexey Rybin published the book “The Right to Rock,” which included Natalya’s memories of life with Mike. Its part received the title “Hotel called “Marriage””.

Personal life

The girl met her future husband, musician and leader of the Zoo group Mikhail Naumenko, when she was 19 years old. She first saw him in a communal apartment on Vasilievsky Island; her cousin Vyacheslav introduced him to Natalya. A month later they met again at Slava’s wedding, Mike joked a lot, and then invited the girl to rehearsals at Big theater Kukol, where he worked at that time.

Natalya Naumenko and Mike Naumenko in their youth

Soon the young man proposed to the girl, but they decided to postpone the wedding, since the housing issue had to be resolved first. Natalya became pregnant and had to go to the hospital. And as soon as she was discharged, Mike immediately took the girl to the registry office. He wanted to legitimize their relationship. Therefore, there was no preparation for the wedding; everything went quickly and chaotically.

In July, Natalya had a son. They originally planned to name the boy Mark, after Marc Bolan. But as soon as the baby was born, everyone immediately began to dissuade new parents from using this name. Therefore, they waited for a long time and decided, and in the end they gave their son the name Evgeniy.

They lived extremely poorly, but, like everyone else in their youth, they did not realize their poverty. Moreover, then everyone in the country lived approximately the same. There were always guests in their communal apartment, among them the leader Viktor Tsoi.

Unlike Mike, who had difficulty finding a common language with the baby, Victor often helped Natalya. He handled little Zhenya with such ease, as if he had already raised at least three children.

There is a version that there was an affair between Natalya and Victor. In 2007, a woman, at the request of Alexander Zhitinsky, who was writing a book about Tsoi, provided the writer with her diary entries. But initially Natasha agreed with Zhitinsky that her memories would be to help him, and not for publication.

Later he assured her that everything looked noble and everything should be left in the book as she had written. The woman agreed. In an interview with Argumenty i Fakty, which Natalya gave in 2018, she said that it would have been much easier for her to live if she had not succumbed to Zhitinsky’s persuasion, but “now she’s clearing things up.”

At that time, Tsoi constantly disappeared in Naumenko’s house, friendships and friendships developed between Natasha and Vitya. trusting relationship. They talked a lot, although in the company Tsoi was known as an eternal silent man. One day, before the girl’s 22nd birthday, she asked Mike to give her a gift - to allow her to kiss Tsoi. And although the husband was surprised by such a question, he allowed it.

On her birthday, Mike was at work: he left for a day and was absent from the celebration. Then their first kiss happened, but not the last. True, the woman describes their relationship as “ kindergarten“, they even kissed like classmates at a school party. According to Natalya Naumenko, for a short period they had a tender friendship, but nothing more. Although Mike believed that such friendships were much more dangerous than anything else.

Natalya lived with Mike for 10 years. The couple divorced on August 15, 1991. They did this without scandals and unnecessary showdowns. Together with her son, the woman moved to Moscow. On August 27, 1991 - 12 days after the official divorce - Mike died. The cause of death was cerebral hemorrhage. But the circumstances under which it happened still remain unclear.

Natalya Naumenko now

In 2018, director Kirill Serebrennikov will present the film “Summer” at the Cannes Film Festival. The events of the film unfold in the summer of 1981 in Leningrad. The plot centers on the lives of Viktor Tsoi, Mike Naumenko and Natalia. The woman was played by a woman known to viewers from the blockbuster “Attraction”. The roles of musicians went to and.

However, even before the screening, a scandal erupted around the film. - the founder, having read the script, said that it was all a lie from beginning to end. According to him, the characters in Serebrennikov’s painting have nothing in common with the people he knew personally.

Documentary director Alexander Lipnitsky was also skeptical about the film. He believes that the plot is “sucked out of thin air.” At one time, he made a documentary about the Kino group and talked with Alexander Zhitinsky.

From their conversation, he realized that there were easy relations between Natasha Naumenko and Viktor Tsoi romantic relationship, at the flirting level. Lipnitsky noted that he doesn’t really believe in this whole story with the novel, and even if it’s true, it clearly doesn’t fit into the plot of the film.

Natalya answered the question about the current situation around the film ambiguously. She liked what she saw on the set; she believes in director Kirill Serebrennikov. But I don’t think it’s right to express my opinion about a picture without seeing it.

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